<?xml version="1.0" encoding="UTF-8"?><rss xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0"><channel><title><![CDATA[OOLiM STUDiO]]></title><description><![CDATA[현대 음악을 편안하게 만나는 열린 공간. 실험적 소리부터 섬세한 정서까지, 소리의 숲으로 이어지는 작은 다리를 놓습니다.
]]></description><link>https://www.oolim.studio/archive</link><generator>RSS for Node</generator><lastBuildDate>Sun, 13 Sep 2026 00:09:09 GMT</lastBuildDate><atom:link href="https://www.oolim.studio/ko/blog-feed.xml" rel="self" type="application/rss+xml"/><item><title><![CDATA[How Rhythm Speaks — The Languages of Rhythm]]></title><description><![CDATA[Before We Count Rhythm is often the first part of music we understand. Long before we can read notation or recognize meters, we respond to patterns in footsteps, speech, and breathing. A lullaby rocks back and forth, someone calls our name, a conversation speeds up or slows down. Perhaps that is why rhythm often feels familiar before we know how to describe it. Yet in formal music education, rhythm is often introduced in a very different way. For many beginners, the first lesson begins not...]]></description><link>https://www.oolim.studio/de/post/how-rhythm-speaks-the-languages-of-rhythm</link><guid isPermaLink="false">6a91b40ce781b5cfc8258024</guid><pubDate>Fri, 28 Aug 2026 16:15:17 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/nsplsh_e75ee3d5f8ae4e3aa58abb9c7ce1cba1~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Sinä Hwang</dc:creator></item><item><title><![CDATA[Messiaen’s Greatest Teacher: Birds]]></title><description><![CDATA[Messiaen’s Greatest Teachers: Birds “Listen to the birds; they are great masters.” These words, spoken by Paul Dukas to the young Olivier Messiaen (1908-1992), would shape the course of a young french composer’s life. Years later, Messiaen would famously describe birds as “the greatest musicians on our planet.” From that point on, birds became far more than a source of inspiration. They grew into one of the central forces behind his musical imagination. Their songs permeate his works—from the...]]></description><link>https://www.oolim.studio/de/post/messiaen-s-greatest-teacher-birds</link><guid isPermaLink="false">6a91b3f19c9977849258ba91</guid><pubDate>Fri, 28 Aug 2026 16:14:49 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/nsplsh_548ba5d6c0d34d2ebadba8239ca78a18~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Sinä Hwang</dc:creator></item><item><title><![CDATA[THE PIANO : A story still being written]]></title><description><![CDATA[Prelude  When I picture a pianist performing, I think of a performer leaning into the keyboard with quiet concentration, hands moving carefully across the keys. Beneath the stage lights, the strings shimmer inside the piano. Each time the pedal is pressed, rows of neatly aligned hammers rise and fall like small waves. Yet the piano contains far more than the keyboard beneath the pianist’s hands. A piano weighs more than a sumo wrestler, yet it is delicate enough to respond to the weight of a...]]></description><link>https://www.oolim.studio/de/post/the-piano-a-story-still-being-written-1</link><guid isPermaLink="false">6a91b3d66d402f9bccfcb603</guid><pubDate>Fri, 28 Aug 2026 16:14:21 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/nsplsh_303615e07f8c4f69ac0c30eb79acfc22~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Sinä Hwang</dc:creator></item><item><title><![CDATA[THE PIANO : 아직 끝나지 않은 이야기 I]]></title><description><![CDATA[전주곡 Prelude  피아니스트가 연주하는 모습을 떠올려봅니다.건반 앞에 앉아 조용히 집중한 채, 두 손은 건반 위를 세심하게 오갑니다. 무대 조명 아래 피아노 안쪽에서는 현들이 희미하게 빛나고, 페달을 밟을 때마다 가지런히 늘어선 해머가 작은 파도처럼 오르내립니다. 하지만 피아노에는 연주자의 손 아래 놓인 건반보다 훨씬 많은 것이 숨어 있습니다. 피아노 한 대는 스모 선수보다 무겁지만, 작은 박새 한 마리의 무게에도 반응할 만큼 섬세합니다. 그 안에서는 수천 개의 부품이 촘촘하게 맞물려 움직입니다. 오래된 시계처럼, 어쩌면 하나의 천문기구처럼, 작은 움직임 하나가 수많은 다른 움직임을 불러오지요. 여기에는 묘한 역설이 있습니다.우리의 마음을 움직이는 음악이, 본질적으로는 지극히 정교한 기계장치에서 태어난다는 것. 그렇다면 피아니스트의 손끝과 우리의 귀 사이에서는 대체 무슨 일이 일어나고 있을까요? 어쩌면 그보다 더 단순한 질문부터 시작해야 할지도 모릅니다. 우리는 피아노를...]]></description><link>https://www.oolim.studio/ko/post/the-piano-%EC%95%84%EC%A7%81-%EB%81%9D%EB%82%98%EC%A7%80-%EC%95%8A%EC%9D%80-%EC%9D%B4%EC%95%BC%EA%B8%B0</link><guid isPermaLink="false">6a8f15efd74317222581bd2d</guid><pubDate>Wed, 26 Aug 2026 17:09:02 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/nsplsh_303615e07f8c4f69ac0c30eb79acfc22~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Sinä Hwang</dc:creator></item><item><title><![CDATA[THE PIANO : A story still being written]]></title><description><![CDATA[Prelude  When I picture a pianist performing, I think of a performer leaning into the keyboard with quiet concentration, hands moving carefully across the keys. Beneath the stage lights, the strings shimmer inside the piano. Each time the pedal is pressed, rows of neatly aligned hammers rise and fall like small waves. Yet the piano contains far more than the keyboard beneath the pianist’s hands. A piano weighs more than a sumo wrestler, yet it is delicate enough to respond to the weight of a...]]></description><link>https://www.oolim.studio/post/the-piano-a-story-still-being-written</link><guid isPermaLink="false">6a5cda25383816e00d4022dc</guid><pubDate>Sun, 19 Jul 2026 14:46:38 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/nsplsh_303615e07f8c4f69ac0c30eb79acfc22~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Sinä Hwang</dc:creator></item><item><title><![CDATA[Messiaen’s Greatest Teacher: Birds]]></title><description><![CDATA[Messiaen’s Greatest Teachers: Birds “Listen to the birds; they are great masters.” These words, spoken by Paul Dukas to the young Olivier Messiaen (1908-1992), would shape the course of a young french composer’s life. Years later, Messiaen would famously describe birds as “the greatest musicians on our planet.” From that point on, birds became far more than a source of inspiration. They grew into one of the central forces behind his musical imagination. Their songs permeate his works—from the...]]></description><link>https://www.oolim.studio/post/messiaen-s-greatest-teachers-birds</link><guid isPermaLink="false">6882c4d2251a639c148ac74d</guid><pubDate>Sun, 28 Jun 2026 19:09:59 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/nsplsh_548ba5d6c0d34d2ebadba8239ca78a18~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Sinä Hwang</dc:creator></item><item><title><![CDATA[How Rhythm Speaks — The Languages of Rhythm]]></title><description><![CDATA[Before We Count Rhythm is often the first part of music we understand. Long before we can read notation or recognize meters, we respond to patterns in footsteps, speech, and breathing. A lullaby rocks back and forth, someone calls our name, a conversation speeds up or slows down. Perhaps that is why rhythm often feels familiar before we know how to describe it. Yet in formal music education, rhythm is often introduced in a very different way. For many beginners, the first lesson begins not...]]></description><link>https://www.oolim.studio/post/how-rhythm-speaks</link><guid isPermaLink="false">6925aeeb7069534405bd0c21</guid><pubDate>Tue, 25 Nov 2025 13:31:58 GMT</pubDate><enclosure url="https://static.wixstatic.com/media/nsplsh_e75ee3d5f8ae4e3aa58abb9c7ce1cba1~mv2.jpg/v1/fit/w_1000,h_1000,al_c,q_80/file.png" length="0" type="image/png"/><dc:creator>Sinä Hwang</dc:creator></item></channel></rss>